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RARE HAND SIGNED DISNEY MICKEY MINNIE MOUSE CEL SERICEL ART WAYNE ALLWINE For Sale


RARE HAND SIGNED DISNEY MICKEY MINNIE MOUSE CEL SERICEL ART WAYNE ALLWINE
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RARE HAND SIGNED DISNEY MICKEY MINNIE MOUSE CEL SERICEL ART WAYNE ALLWINE:
$69.99


TomI Store NEW LIMITED LOWER PRICE......WAS $249.99 !!!!!!
ONLY 350 EVER MADE AND THE VOICE OF MICKEY WAYNE ALLWINE HAS PASSED AWAY. HE IS THE VOICE YOU HAVE HEARD AND STILL WILL FOR OVER 30 YEARS AND IS THE VOICE AT ALL THE THEME PARKS. INTERESTINGLY, HE WAS MARRIED TO MINNIE MOUSE IN REAL LIFE, RUSSI TAYLOR WHO ALSO HAS HAND SIGNED THIS PIECE, AND ALSO, BILL FARMER, THE VOICE OF GOOFY, PLUTO, AND MANY OTHER CHARACTERS HAS HAND SIGNED THIS PIECE..AMAZING !!!!!!
PLEASE ASK ANY QUESTIONS BEFORE offerDING. THIS IS HARD TO EXPLAIN IN THE DESCRIPTION, SO PLEASE ASK QUESTIONS !!!!!! THANK YOUINTERNATIONAL buyers PLEASE EMAIL IF INTERESTEDYOU ARE offerDING ON:

AN EXTREMELY RARE LIMITED EDITION TO ONLY 350, DISNEY CEL, WHICH WAS ORIGINALLY TO SELL AT $1200.00...... RARE, NEVER RELEASED TO THE PUBLIC, SIGNED CEL SERICEL. THIS CEL IS SIGNED BY THE \"REAL\" MICKEY MOUSE, MINNIE MOUSE,<WHOM WERE MARRIED IN REAL LIFE> AND BILL FARMER, THE VOICE OF GOOFY AND NOW ALSO THE VOICE OF PLUTO. COMES WITH OFFICIAL DISNEY CERTIFICATE OF AUTHENTICITY

NOTE: THE SERICEL IS CONSIDERED UNFINISHED AS THE PROJECT WAS NEVER FOLLOWED THROUGH. MICKEY AND MINNIE WERE SUPPOSE TO BE PAINTED, BUT STILL LOOKS GREAT AS IS. IT CAN BE UP TO YOU IF YOU WISH TO HAVE IT PAINTED.

MICKEY MOUSE

Wayne Anthony Allwine (February 7, 1947 ? May 18, 2009) was an American voice actor, a sound effects editor and foley artist for The Walt Disney Company. He was born in Glendale, California. He was the voice of Mickey Mouse for 32 years, narrowly the longest to date, and was married to voice actress Russi Taylor the voice of Minnie Mouse. Allwine was the voice of Mickey Mouse from 1977 until his death in 2009. He succeeded Jimmy MacDonald, who in 1947 had taken over from Walt Disney himself.

MINNIE MOUSE

Russi Taylor (born May 4, 1944) is an American voice actress. She is the current voice actress of Disney\'s Minnie Mouse character. She has held this role since 1986, longer than any other voice actress. This includes performances in the Disney\'s House of Mouse and Mickey Mouse Clubhouse and Mickey Mousekersize and television series and the Kingdom Hearts video game series, among many others. She also does the voices of Martin Prince, Sherri and Terri, and Üter on the animated television series The Simpsons. She has voiced Huey, Dewey, and Louie and Webby Vanderquack in the DuckTales television series, the Donald Duck: Goin\' Quackers video game, and in other appearances such as in the holiday movies Mickey\'s Once Upon a Christmas and Mickey\'s Twice Upon a Christmas. In appearances where the three young ducks appear at an older age, such as in Mickey Mouse Works and Disney\'s House of Mouse, Tony Anselmo, the voice of Donald Duck, reprises Taylor\'s role as their voice actor. In Mickey\'s Boo to You Halloween Parade at Walt Disney World\'s Magic Kingdom, Mickey Mouse Works and in Disney\'s House of Mouse, she plays Clara Cluck. She voiced Daisy Duck in Fantasia 2000 and she also voiced Susanti in Upin & Ipin:Classic serials and TV series.

Russi did the voice of Phantasma The Phantom in the 1988 TV-movie Scooby-Doo and the Ghoul School. She also voiced Pearl in a PC game called Reader Rabbit Math Adventures Ages 6?9.

She was the original voice of Strawberry Shortcake in the six 1980s TV specials.

She voiced Pebbles Flintstone in The Flintstones Comedy Show for Hanna-Barbera in 1979. Taylor was also the voice of Baby Gonzo in Muppet Babies, Nova in Twinkle, the Dream Being, Pac-Baby in the Pac-Man TV series, the high-pitched Nurses that were mice in The Rescuers Down Under, Morning Glory in My Little Pony, and the lasted non-Disney role was Birdie the Early Bird in McDonald\'s commercials. She is also the current voices of Drizella and Fairy Godmother in the Cinderella sequels, Cinderella II: Dreams Come True and Cinderella III: A Twist in Time.

GOOFY AND PLUTO

William Farmer (born November 14, 1952 in Pratt, Kansas) is an American voice actor and comedian, best known for being the current voice of the Disney characters Goofy, Pluto and Horace Horsecollar.

Farmer is known for starring in Astro Boy (2004), House of Mouse (2001), Mickey Mouse Works (1999), Mickey Mouse Clubhouse (2006), Goof Troop (1992) and The New Adventures of Mighty Mouse (1987). He is best known for his voice acting for Goofy and Pluto, two famous Disney characters, and more recently he has also played Horace Horsecollar. Another big role he played was in the movie Space Jam (1996), where he voiced Yosemite Sam, Sylvester, and Foghorn Leghorn. He also has done several minor voices, both on TV (including The Grim Adventures of Billy & Mandy) and in video games, including the Destroy All Humans! series, Namco\'s Tales of Symphonia, where he voiced Governor-General Dorr, in Square\'s Kingdom Hearts series reprising the role of Goofy, Detective Date in the SEGA game Yakuza and Sam and others in cult classic adventure game Sam & Max Hit the Road. Farmer has also voiced Secret Squirrel in Harvey Birdman, Attorney At Law, in both the animated series and its spin-off video game. He also voiced Lim in Geng series 1-4.

His other voice roles include Stinkie in Casper: A Spirited Beginning, Willie Bear in Horton Hears a Who!, Bugs Bunny and Daffy Duck in Robot Chicken, Captain Wedgewood and Frill Lizard in Ty the Tasmanian Tiger, many voices on EverQuest II, Cletus Samson, Floyd Sanders, Jeff Meyers and Ryan LaRosa in the video game Dead Rising, Tyler the Candlestick Maker in Bongee Bear and the Kingdom of Rhythm and much more.[1]

He also was the announcer in Troops, in 1997. Farmer in September 2009 was named a Disney Legend.


LOOKS BETTER IN PERSON THAN PICTUREDMEASURES 17 INCHES WIDE X 15 INCHES HIGH

PLEASE REFERENCE PICTURES

WILL BE SHIPPED ROLLED IN A USPS PRIORITY MAIL BOX


PLEASE ask if you have ANY questions before you offer. PAYPAL ONLY. Payment to be received within 2 days of end of sale. PRIORITY OR EXPRESS MAIL Shipping which includes delivery confirmation.

THANK YOU FOR LOOKING =o)


BELOW ARE EXAMPLES OFVARIOUS TYPES OF ANIMATION ART WITH SOME HELPFUL INFORMATION ABOUT THEM


CEL

A broad term that encompasses most types of animation art. In its strictest interpretation, a cel is the plastic sheet, either cellulose acetate or cellulose nitrate, that animated characters are painted on. In practice, the term cel has come to mean that plastic sheet in combination with the outline and coloring of a character, object, and/or special effect. Outlines can be either hand-inked or Xerographically transferred to the sheet of plastic. Those outlines are then filled with color, either by hand-painting or a serigraphic process, to complete the cel.

12 or 16 Field

These terms are used to describe the size of a particular cel. They come from the size of the \"field\" of view of the camera photographing the artwork. For rough use, consider a twelve-field cel roughly 10\"x12\", and a sixteen-field cel approximately 14\"x16\". The actual framed size may differ.

ORIGINAL PRODUCTION CEL

These are the cels actually used in the production of a cartoon. They can have either Xerographed or hand-inked outlines, and are hand-painted at the studio. These cels are one-of-a-kind pieces of art, and their rarity makes them highly sought after by collectors. Because these cels were created to make an actual cartoon, each cel is a component part of a larger movement. Different cels from the same scene may be more or less desirable depending on a variety of factors: size, profile and expression of the character, any damage to inking or paint, and overall visual appeal.

LIMITED EDITION CEL

As with production cels, limiteds can have either hand-inked or xerographic outlines, and are also hand-painted. The major difference, as its name implies, is that the limited editions are created in limited quantities, generally in runs of 250 to 500 cels. Because of these small edition sizes, limiteds can also be very collectible. Some limiteds are exact reproductions of the frames of the film they represent. Others are based on contemporary interpretations of classic characters or scenes by their animators- Chuck Jones limiteds, for instance. Limited editions are always hand-numbered on the cel, and many are signed by the artists.


SERICELS

Sometimes called serigraph cels. The serigraphy process involves silk-screening each individual color to the cel, one at a time. Every distinct shade is a separate screen, and a separate pass in the procedure. As a result of this fine art operation, each color is flawlessly reproduced. Sericels are also created in limited quantities, typically 2500 to 5000 pieces. Because of their larger edition size, sericels are the most affordable type of animation art, ideal for the beginning collector.


PUBLICITY CEL

A cel, usually hand-painted, not actually used in a film or created for collectors, but made for publicity or promotional purposes.

CEL SET-UP

A combination of cels presented together. If the combination of cels match exactly, it is referred to as a KEY SET-UP.

ANIMATION DRAWING

These are the original, one-of-a-kind drawings, penciled by the animator, that cels are eventually made from. Drawings can be rough, or the more refined CLEAN-UP drawings. Sometimes, set-ups are available with matching drawings and the cel that was made from it.

STORYBOARD DRAWING

A drawing or story sketch made for the storyboard, which conveys visually the plot and action of a scene or shot. The storyboard serves as a preliminary guide for the artists.

MODEL SHEETS

Drawings, or studio reproductions of a character in a variety of actions used as reference by the animators during production.

BACKGROUNDS

Boy, is this a can of worms. We will try to cover the major types of Backgrounds you are likely to encounter, and what they mean.


Original Production Background

This covers a wide range of backgrounds that are original paintings, and were used in the production of a cartoon. It is important to note that it does not necessarily mean it is the same production that the cel is from. It may not even be from the same studio as the cel. If you see this term used, you will want to know what production the background is from.


Key Master Set-Up

This is the ultimate set-up, and the most rare. A key master set-up combines the original cel, or a key set-up of cels, with the background they were originally photographed over. When framed, this will look exactly as it did in the actual film or short.


Presentation or Hand-Painted Background

This type of background was specially prepared to complement the cel by an independent artist. Generally, it will be in the style of the original. Although it may enhance the visual appeal of the set-up, it adds little value or collectibility to the cel (unless the artist is famous in his or her own right).


Reproduction Background

This is the most common type of background. It is, as the name implies, a copy of a background. The reproduction can be by color Xerox, lithography, serigraphy or photography. In many cases, it is a reproduction of the original background.

Lithography owes it existence to the chemical principal that oil and water do not mix. The artist draws the image to be printed on a flat slab of limestone, metal, or plastic using a greasy crayon. The surface is then chemically fixed and wet with water, which does not adhere to the greasy image areas. When the surface is inked with a roller, ink adheres only to the greasy areas and not the wet area. Paper is then positioned over the plate and the press is manually operated to produce one impression. The process must be repeated for each color. It is not unusual for fine lithographs to be printed from 15 or more plates.

GICLÉE PRINTS

Creating Giclée fine art prints requires the utmost care and attention to detail. Customize the color settings for each image so that each print is truly what the artist had in mind. The French term \"Giclée\", literally meaning \"spray of ink,\" is used to describe these prints. Four precision nozzles spray up to a million microscopic droplets per second on to fine art paper. Then, each piece of paper is individually hand-mounted. Displaying a full color spectrum, the prints are lush and velvety, capturing the subtle nuances of the original artwork



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